PDF Embodied Avatars: Genealogies of Black Feminist Art and Performance (Sexual Cultures)
Beschreibung Embodied Avatars: Genealogies of Black Feminist Art and Performance (Sexual Cultures)
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How black women have personified art,expression,identity, and freedom through performanceWinner, 2016 William Sanders Scarborough Prize, presented by the Modern Language Association for an outstanding scholarly study of African American literature or cultureWinner, 2016 Barnard Hewitt Award for Outstanding Research in Theatre History, presented by the American Society for Theatre ResearchWinner, 2016 Errol Hill Award for outstanding scholarship in African American theater, drama, and/or performance studies, presented by the American Society for Theatre ResearchTracing a dynamic genealogy of performance from the nineteenth to the twenty-firstcentury, Uri McMillan contends that black women artists practiced a purposeful self-objectification, transforming themselves into art objects. In doing so, these artists raisednew ways to ponder the intersections of art, performance, and black female embodiment.McMillan reframes the concept of the avatar in the service of black performance art,describing black women performers’ skillful manipulation of synthetic selves and adroitprojection of their performances into other representational mediums. A bold rethinking ofperformance art, Embodied Avatars analyzes daring performances of alterity staged by“ancient negress” Joice Heth and fugitive slave Ellen Craft, seminal artists Adrian Piper andHowardena Pindell, and contemporary visual and music artists Simone Leigh and NickiMinaj. Fusing performance studies with literary analysis and visual culture studies,McMillan offers astute readings of performances staged in theatrical and quotidian locales,from freak shows to the streets of 1970s New York; in literary texts, from artists’ writingsto slave narratives; and in visual and digital mediums, including engravings, photography,and video art. Throughout, McMillan reveals how these performers manipulated thedimensions of objecthood, black performance art, and avatars in a powerful re-scripting oftheir bodies while enacting artful forms of social misbehavior.The Critical Lede interview with Uri McMillan
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Embodied Avatars: Genealogies of Black Feminist Art and ~ Embodied Avatarsradically disrupts prevailing histories, definitions, and genealogies of performance art by focusing on black women who, over the course of two centuries, sought to turn their degraded bodies into dissident tools of emancipation and social critique. Recognizing the first modern stage of black performativity as the auction block, Uri McMillan reveals how black women turned .
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embodied avatars genealogies of black feminist art and ~ Sep 04, 2020 embodied avatars genealogies of black feminist art and performance sexual cultures Posted By Dean KoontzMedia Publishing TEXT ID b829125b Online PDF Ebook Epub Library embodied avatars genealogies of black feminist art and performance new york new york university press 2015 pp 304 isbn 9781479852475 tracing a dynamic genealogy of performance from the nineteenth
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